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In the essay Poe challenges those who suggest that writing is a mysterious process prompted solely by the imagination. Although the it offers a number of precepts for good writing, at Kennedy rhetorical analyses essay end of the essay, Poe undercuts his step-by-step instructions by insisting that all writing should have an "under-current" of meaning.
Because he never demonstrates how to create that "under-current," Poe's essay never completely reveals the process that makes his work so powerful.
Quite coincidentally, or maybe not so coincidentally, this was the day Edgar Allan Poe would give his recitation of "The Raven" at the home of Anna Lynchthe well-known literary salon hostess. Lynch described Poe's performance that night as "electrifying" in a letter to the poet Sarah Helen Whitmanwho later had a short-lived relationship with Poe.
Granted, Poe was known for his intent performances, but his reading "The Raven" on a night of full moon and devastation must have enhanced the drama and haunting effect of his poem.
Poe's poem had dazzled many readers, and numerous printings of "The Raven" appeared in magazines and newspapers around the country and abroad after its initial appearance in The New York Evening Mirror on 29 January in which it was printed as an "advance of publication" copy that would appear in the American Review the next month.
On 19 Novemberalmost a year after its initial appearance in the Mirror, "The Raven" was published by Wiley and Putnam in a collection using the famous poem in its title, The Raven and Other Poems.
Two days later, the book was reviewed in the Mirror by the poet and editor George Kennedy rhetorical analyses essay Morrisa friend of Poe's. Morris described Poe's poetry this way: We feel dream land to be more real and more touching than the actual life we have left" Thomas and Jackson, p.
A month later, Thomas Dunn Englisha poet, physician, editor, politician, and sometime friend of Poe's, wrote a review in the New York monthly magazine the Aristidean and described Poe's poetics in the following terms: Poe would later use these two approaches to his poetryoncern with effect and constructiono chart the process he used in composing "The Raven" and to suggest that "no one point in its composition is referable either to accident or intuition" p.
But this dissertation would come much after Poe had enjoyed the fame his "raven" had brought him. With this newfound popularity and his position as owner and editor of The Broadway Journal, Poe was finally able to live in a fashionable neighborhood near Washington Square Park at 85 Amity Street.
In this neighborhood and in his role as editor, Poe came into contact with prominent writers and artists of his time and because of the appeal of "The Raven," his fame as a poet grew at home and abroad. This idyllic time, however, was short-lived. In addition, his wife's poor health and her displeasure with the gossip about Poe's "affairs" and his "pending institutionalization" to cure his "insanity" prompted Poe's move from the city to the country in Fordham Thomas and Jackson, pp.
Shortly after this move, Poe wrote "The Philosophy of Composition," partly to build on the popularity that "The Raven" had afforded him and partly to counter the negative criticism written about his poetry and the numerous parodies of "The Raven" that had appeared in the press.
Having earned the reputation of the "tomahawk critic" for his harsh analyses of other poets' works, Poe's poetry received similarly harsh appraisals; though praised by many, his poetry was also called "childish," "puerile," and "absurd" Thomas and Jackson, p.
One of Poe's answers to such criticism was "The Philosophy of Composition," an essay that purports to detail the method he used to write poetry, a method that proceeds with "the precision and rigid consequence of a mathematical problem" p.
Referring to this note from the famous British novelist Charles Dickens is a purposeful pose on Poe's part to grant his treatise credibility. The basic premise of his dissertation seems to derive from two of England's most prominent authorsickens and William Godwin, a philosopher and novelist and the father of Mary Shelley.
In his letter to Poe, Dickens remarked that Godwin wrote the second volume of his popular novel, Caleb Williamsfirst and then "cast about him for some mode of accounting for what had been done" p.
Although Poe believed that Godwin did not "precisely" follow the method Dickens suggested, Poe, nonetheless, asserts that the overall approach of keeping the end "constantly in view" is essential to effective composition p.
He appears to base his philosophy of composition on this revelation from Dickens about Godwin's writing process.
Poe's ostensible purpose in publishing "The Philosophy of Composition" is simple: No other author, Poe observes, had had either the desire or ability to do so. Unlike other poets and novelists who resist "letting the public take a peep behind the scenes," Poe promises to reveal all p.
To create a desired effect a writer must determine which combination of tone and incident best provokes this effect ordinary incident and peculiar tone, peculiar incident and ordinary tone, peculiar tone and peculiar incident. He then must decide upon a suitable length, one that sustains "unity of impression" p.
The length should be directly proportional to the merit of the subject, or, in Poe's words, "the extent of a poem may be made to bear mathematical relation to its merit" pp. The length, however, should be sufficient enough to induce an effect, or, in Poe's words, "a certain degree of duration is absolutely requisite for the production of any effect at all" p.
However, no "literary work" should require more than "one sitting"; otherwise, Poe argues, "the vastly important artistic element, totality, or unity, of effect" is lost p.
After determining length, the author must choose a theme that is "universally appreciable" and induces pleasure p. Then the writer must decide what form is appropriate to that purpose: Having set these parameters for writing in general, Poe turns to the specific requirements needed to create an effective poem.Nov 10, · john f kennedy inaugural address rhetorical analysis essay John F.
Kennedy Inaugural Address Rhetorical Analysis - Duration: Review of Rhetorical Analysis Essay - Duration. Kennedy’s inaugural is a rhetorical masterpiece. Our world has aged forty-nine years and within those years the threats have remained the same with a few minor tweaks.
Kennedy's usage of rhetorical devices gives his speech the empowering and resolute tone necessary to evoke the emotions of his audience and sway their motives to agree with his own. Speech For John F Kennedy Essay to dream, we dare to achieve. The 12th of September , John F. Home — Essay Samples — Government — President of the United States — John F.
Kennedy — A Rhetorical Analysis of the Inaugural Address of John F. Kennedy This essay has been submitted by a student. Rhetorical Analysis of Jfk Inaugural Speech Essay. In early , the United States of America was enduring racial tensions and inequalities on the home-front, as well as waging war against Communism and the Cold War internationally.
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