German filmmaker, video artist, and writer Written By:
Citing the influence of such Marxist cultural practitioners as theater director Bertolt Brecht, philosopher Theodor Adorno, and film director Jean-Luc GodardFarocki consistently addressed two principal subjects: Farocki is particularly known for his explicitly political essay films, through which he examined these subjects while also openly confronting the inherently persuasive, manipulative properties of the cinematic medium.
His essay film Inextinguishable Fire begins with Farocki facing the camera, recounting the testimony of a victim of napalm bombing during the Vietnam War. In Videograms of a Revolution ; codirected with Andrei UjicaFarocki focuses on the uprisings in Romania, where the toppling of dictator Nicolae Ceausescu resulted in an almost immediate change in the ways events were represented in the media; a one-sided, choreographed broadcast of the dictator gives way to a multiplicity of viewpoints unfolding in real time.
Many of his direct-cinema works unobtrusively observe media productions, training sessions, and product demonstrations.
The Interview —97 follows job application training courses for school dropouts, the long-term unemployed, and recovering drug addicts, who practice how to present and market themselves. Like other of his direct cinema productions, the film addresses how people in contemporary culture tend to self-consciously present themselves for observation, even when the camera is not present.
With this work, Farocki prompts viewers to think about the powerful role of visual media in shaping our understanding of ourselves and others, as well as about the social and political systems that send images into the world.
Show full text Wikipedia entry Introduction Harun Farocki 9 January — 30 July was a German filmmaker, author, and lecturer in film.Harun Farocki: Harun Farocki, Czech-born German filmmaker, video artist, and writer known for his provocative politicized “film-essays,” assemblages of footage from several sources accompanied by subtitles or voice-over commentary.
Farocki, who changed the spelling of . Since Farocki produced, wrote and directed more than short and feature-length films for television and cinema, mostly documentaries and essay films, that analyzed social realities with a precise use of moving images that always included the political and sociological context involved in the creation of imagery.
“Who is Farocki?” was the now famous heading that Cahiers du cinéma used in what was probably the very first essay about Farocki in That is a long while ago, and it confirms that ‘Harun Farocki’ has been around for a long while: already by he had been making films for a decade.
Harun Farocki finds himself among a small, but eminent group of like-minded directors – Chris Marker, Chantal Akerman, Raul Ruiz and Peter Greenaway – whose films negotiate the relationship between word and image in equally radical fashion, and conduct in their installations similar inquiries into their own images and those of others.
Harun Farocki made feature films, essay films, experimental works, childrens films and video installations.
His work often addresses the effects of war, economics and politics on society and the use of imagery in the media. In recent years the essay film has attained widespread recognition as a particular category of film practice, with its own history and canonical figures and texts.
should Riefenstahl’s plentifully fabricated ‘documentaries’ not be considered as essay films in their own right?) (Leben – .